January 6, 2026
What’s on your summer reading list?
We asked 6 dedicated readers
When I think about summer reading, I think about relaxing with an easy page-turner … but I also think about finally having the headspace for the more complex, challenging books that have haunted my bedside table during the busy year.
Summer reading is often characterised as paperback romance or detective fiction. And it is that. But it’s also anything your tired, finally well-rested brain wants to apply itself to in the sunnier months: on a beach, by a pool or splayed on a couch under an air conditioner.
We asked six avid readers what they plan to read this summer – and their answers reflected all of the above and more. I’ve already stolen a few ideas to add to my own hopeful pile. (So far, it includes Susie Boyt’s much-raved-about novel , a of her father Lucian Freud, Dominic Amerena’s literary satire, … and .)
The Summer Book … and Belgian crime
What better time to revisit , by Tove Jansson? It helps that there is a film adaptation on the way (starring Glenn Close), though I wonder how this bittersweet, funny and pitch perfect story of a girl, her grandmother and her father spending a summer on a tiny island in the Gulf of Finland can be rendered in filmic form.

Talking of adaptation, the latest TV adaptation of the chief inspector Maigret detective novels has recently dropped – and that encourages me to read more of the short novels by the Belgian writer, . I read half a dozen Maigret novels last summer, but that’s fine – there are 75 books in the series. Good times.
David McCooey is professor of writing and literature, Deakin ÁñÁ«ÊÓÆµapp.
Page-turning rural noir
As a former managing editor of television and video for ABC News, Tim Ayliffe has always had a keen eye for the hot button issues of the day. That’s reflected in his John Bailey series of tense political thrillers. But promises to be something different.

Here, Ayliffe heads west into the New South Wales Riverina and the territory of the rural noir. His usual burnt-out journalist in the eye of the storm is replaced by a burnt-out cop. Kit McCarthy hasn’t seen her twin sister Billie in years. This is quite understandable as Billie seems to have got herself involved in a survivalist cult hell bent on blowing things, and people, up. So now she needs help.
That’s the premise – and it promises to be just the right kind of energetic page-turner for a lazy holiday read.
Sue Turnbull is honorary professor of communication and media studies, ÁñÁ«ÊÓÆµapp of ÁñÁ«ÊÓÆµapp – and a crime fiction expert.
Patricia Lockwood
Last summer I read Patricia Lockwood’s , a novel that’s up-to-the-minute smart about contemporary life on social media until halfway through when it takes you by the throat and leaves you gasping.
I went quickly to her 2017 memoir, , where she recounts life as the child of a married Catholic priest. More lately, I read her viral poem, , a remarkable reshaping of thought and talk around women’s experiences of rape. You have to love a writer who can come up with (in ):
Perhaps for the bug reason, she could only ever picture Kafka lying on his back. Perhaps because of his surviving photos, she had the idea that he medically could not blink.

This summer, I hope to read her new post-COVID novel, , hoping for more writing that identifies and breaks our taboos – like the best jokes do.
Kevin Brophy is emeritus professor of creative writing at ÁñÁ«ÊÓÆµapp of Melbourne.
Novels about academia
To some, summertime means spontaneity. To me, an adorer of a syllabus if there ever was one, it means a carefully curated reading list. This year, the plan is to spend as much time as possible reading novels about the idiosyncrasies and hypocrisies of academia.
I’ll start by revisiting three classics – Mary McCarthy’s , Vladimir Nabokov’s inimitable , David Lodge’s – before I move on to books I haven’t read before.

At the top of my list is Alison Lurie’s , a portrait of infidelity and pomposity at Corinth ÁñÁ«ÊÓÆµapp (a fictional reimagining of Cornell). Next are two darkly comic novels from the nineties: Javier Marías’ Oxford novel and Ishmael Reed’s . Then, I intend to round out the summer with by Susan Choi (shortlisted for this year’s Booker for ) and Elif Batuman’s .
If there’s any summer left at the end of all this, I’ll devote it to rereading some old favourites: JM Coetzee’s , Philip Roth’s , and Zadie Smith’s .
Joseph Steinberg is Forrest Foundation postdoctoral fellow, English & Literary Studies, The ÁñÁ«ÊÓÆµapp of Western Australia.
Book & film: The Virgin Suicides
Every summer, I return to the same perfect pairing: Jeffrey Eugenides’s elegiac novel and Sofia Coppola’s fever-dream adaptation. The story – a meditation on loss and longing – follows the tragic fates of the Lisbon sisters (Cecilia, Lux, Bonnie, Mary and Therese) who are withdrawn from school by their stifling mother and imprisoned at home – before eventually dying by suicide.

Set in 1970s Michigan, in the heart of the Rust Belt, the story brushes against some big themes: the horror of the mundane, the decay of memory, the failure of the American Dream. But the novel’s thematic complexity is not as powerful as its aesthetic imagination. I revisit the girls’ world obsessively because its hazy, dreamlike quality captures, with unnerving accuracy, how it felt to be a teenage girl. Simply put, the summer was long and languorous, and the house was always too small.
Eugenides’s novel, like Coppola’s film, skilfully blends the magic and misery of adolescence: the sacred rituals and secret pacts, the constant scrutiny and creeping sense of entrapment. Like adolescence, summer too is defined by its inevitable ending.
Kate Cantrell is a senior lecturer in writing, editing, and publishing at the ÁñÁ«ÊÓÆµapp of Southern Queensland.
Australian romantic comedies
A couple of years ago, I nominated Abra Pressler’s Love and Other Scores as my beach book and noted that it was part of an increased investment from major Australian publishers in local romantic comedies. As someone who both writes and studies romance fiction, I’m delighted that this trend has continued.
There has been a spate of excellent Australian rom-coms released this year: Steph Vizard’s , Patrick Lenton’s , Emma Mugglestone’s In the Long Run, Darcy Green’s , Karina May’s , and Holly Brunnbauer’s , just to name a few.

My beach read this summer is also a local rom-com: Brooke Crawford’s . This is a story about a Melbourne teacher in the midst of a series of life crises who unexpectedly finds a reclusive rock star’s childhood diary. When he offers to pay her a lot of money to travel in London and return it to him – how can she refuse?
Jodi McAlister is a senior lecturer in writing, literature and culture, Deakin ÁñÁ«ÊÓÆµapp.![]()
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